Welcome to the Synthetic Orchestra blog - a collection of articles, tutorials and thoughts in general to do with virtual orchestration. I'll try to post these relatively often. If you have any suggestions or want me to cover anything in particular feel free to contact me through the site.
In this blog I'll start to introduce you to some of the upcoming features for Articulate Pro.
Welcome to the all new Synthetic Orchestra website, now improved for mobile and phone devices!
In this blog I'll be covering the new HTTP JSON API featured in the the 1.14 version of my Articulate plugin for FL Studio.
An online tool allows you to convert a typeface into a custom font for your Kontakt instrument. Drag a TTF of OTF font onto the tool and then select the settings required.
In this blog I'll be covering the new Multiple articulation bank feature in the new 1.05 version of my Articulate plugin for FL Studio.
In this blog I'll be looking at the combination palettes included in Spitfire products such as Mural and Sable, and explaining what they are, how they work and when to use them.
In this blog I'll be looking at the sustain pedal - why some Spitfire products have a problem with it, and how this can be fixed.
In this blog I'll be giving a little background as to what Batch Re-saving is inside Kontakt, how it can help, when you should do it and some quirks associated with it.
In this blog I'll show you how to swap out an instrument's NKR. You might need to do this to upgrade an old patch to a newer version of a script, or to fix a missing NKR.
In this blog I'll be taking a look at something a bit more advanced within Spitfire instruments: How to remove unneccessary articulations from an instrument - in particular the 'empty ' rest icons you may see scattered across the Stanza.
In this blog I'll be looking at the various ways to switch between articulations within Spitfire instruments, from Keyswitching to CC32 to UACC.
In this blog I'll be looking at simple things to try when experiencing problems in Kontakt and Spitfire products.
In this blog I'll be looking at a bit of a cheat to take the smaller sections recorded for Spitfire's BML range and give them a bigger sound. This has been covered before by Spitfire Audio but I figured it's useful to have it here for reference.
In this blog I'll be taking a look at some higher-level tips for recent Spitfire releases (Mural in particular). Hopefully there's some things in here that may prove new or useful to you!
In this blog I'll be taking a look at something a bit more advanced within Spitfire instruments: How to optimise Kontakt in respect to the microphones you require.
In this second blog I'm going to look at the Articulation Stanza in Spitfire Audio's sample line series in detail.
In this first blog I'm going to more thoroughly cover some of the functionality included in Spitfire Audio's sample line series.
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